Friday, 29 May 2009

The Ripper Tour & Leaving the Laureateship

I had wanted to go on one of the (many) Jack the Ripper tours for some time. We went through the entrance in the London Wall, walking onto the side where the East End of London begins (officially). The guide explained the striking contrasts between lives on the east side and the west side of the wall during the Victorian period. Walking through a Victorian railway arch we were told to avoid the walls against which many of Victorian prostitutes did the deed with their clients – We visited most of the murder sites and heard the gory stories. It is astonishing how many Victorian tenements, buildings, streets, lanes, alleyways, walls and shopfronts still remain intact and so close to the city, though there is an abundance of curry houses and takeaways. I even spotted an old bill poster from 1931!


The tour took us through the brilliant Whitechapel Market and afterwards we went in to see The Ten Bells pub which still retains not only the original furnishings but the original toilets too! It is a small pub with no lights except at the bar – Perfect Place.



On the way back we passed by the Dirty Dicks pub:
At Dirty Dick's and Sloppy Joe's
We drank our liquor straight,
Some went upstairs with Margery,
And some, alas, with Kate;
                 W. H. Auden, 'The Sea & the Mirror'.

On 28 April I made my way to Waterloo and as I walked into the Royal Festival Hall I saw Andrew Motion there. I said hello and that I'd be at the 'Leaving the Laureateship' valedictory later. I reminded him that I wrote to him when I first started writing poetry and that he had replied with a postcard thanking and encouraging me. He said “Well I hope you've continued” and I said that I had. Just then his partner Kyeong-Soo approached and we were introduced. I thanked him and walked off to visit the Poetry Library and picked up Stepping Stones, the recently published autobiographical interviews with Seamus Heaney.

Back down in the foyer and I sat myself down and had smoked salmon and egg sandwiches with cream soda before making my way to the Queen Elizabeth Hall, greeting Fiona Sampson on the way with Jo Shapcott to her right (and another lady I recognised but couldn't recall the name of).  I suddenly recalled that I'd been searching in vain for Jo's book of lectures The Transformers which doesn't seem to have been published after all, I turned back but they had gone. I also saw another lady who was at Morley College with me and comes to a lot of poetry dos where I often see her but don't know her name. Andrew Motion's son and daughter came and seated themselves on my left but I didn't know it at the time till he mentioned it to the audience, twins (born in 1988). I found myself equating/drawing parallels with the children of previous Poets Laureate.

What really came through were Motion's frankness, openness and accessibility, his ability to engage with his audience and to draw them in. He spoke freely of the onus of the laureateship, the burden of commissions in general and of work or verses turned to order. The cards are badly dealt – He still hasn't for instance received his bottles of sherry. I can now totally sympathise with his position and with the benefit of hindsight he has done (less written) remarkably well. He said “I am pleased to have done it. Pleased to be stopping doing it. I think if you can say that at the end of any job, that's a good thing.”

He read from his latest collection of poems (which includes no laureate poems) which I had read the night before: 'Harry Patch', 'Passing On' and 'The Mower'. Afterwards I got him to sign a copy of the book and said that I had his other books as well which I'd spared him the burden of signing had I bought them all along as well. He said “There will be other times.” I particularly praised the Keats biography which I think is comprehensive, full-bodied, and readable and by far one of the best biographies of a poet.

Monday, 23 February 2009

Sir John Mortimer, Tony Hart, Edward Upward

Sir John Mortimer passed away on 16 January.  He was born on Saturday 21 April 1923 in Hampstead to Clifford Mortimer and Kathleen May (née Smith).  At 17, Mortimer went up to Brasenose College, Oxford to study law.  Brasenose College was then temporarily based at Christ Church - The Brasenose buildings having been requisitioned for the war effort.  He married Penelope Ruth Fletcher in 1949 from whom he had a son (Jeremy Mortimer) and Sally Silverman.  They divorced in 1971.  He married Penelope Gollop in 1972 who bore him 2 daughters: Emily (born 1 December 1972) and Rosie (born 1984).  In November 1961 John Mortimer had a son with the actress Wendy Craig.  He did not find out about this until August 2004 and both were very happily reunited, his name is Ross Bentley.  Mortimer was awarded the CBE in 1986 and knighted in 1998.  he wrote numerous books and presented TV programs among which some of the best remembered will be the autobiographical A Voyage Round My Father, (1963), the TV dramatisation of Evelyn Waugh's masterpiece Brideshead Revisited, (1981) and his own magnum opus Rumpole of the Bailey.  He also skilfully defended the 1960 trial against D. H. Lawrence's novel Lady Chatterly's Lover, the trial was also attended by Sylvia Plath at the time on the second day of the proceedings and she wrote about it in her journal.

The funeral was held on 22 at St Mary's Church, Turville (next to the house where Mortimer had lived with his first wife) near Henley-on-Thames.  His parents are buried here too.  Jeremy Paxman, Melvyn Bragg, Lord Kinnock and his wife Gladys were among the attendees.  Ross Bentley was seated in the front row with his mother.  The vicar said in her sermon:
Sir John called himself an atheist for Christ - He always came to Midnight Mass on Christmas Eve.  But he emphatically did not believe in life after death.  My hope is that he has had a wonderful surprise.  
                 Valerie Grove.  'Church Funeral of atheist John Mortimer, creator of Rumpole', The Times, 23 January 2009.
Mortimer's wife Penelope read from Shakespeare's Richard III after which a recording of him reading from Wordworth's 'Tintern Abbey' was played.  Emily and Rosie recited Byron's 'So we'll go go more a roving' which I think must have been an absolutely inspired choice.  His daughter Sally along with 6 of his grandchildren read from 'Ecclesiastes'.  Blake's 'Jerusalem' was played as the crowd walked out into the obliging sunshine.

*

The artist Tony Hart passed away on 18 January.  He was born on 15 October 1925.  He was introduced to a TV producer at a party in 1952, who whilst looking for a paper found that Hart had drawn a fish on a napkin, as they say the rest is history.  A relative gifted me one of his books in 1991 which I cherished.  His first TV series was Playbox, (1954 - 1959), followed by Vision On and Titch & Quackers, (1967 - 1977), Take Hart, (1978 - 1984), Hartbeart, (1984 - 1993) which was probably his most famous show and which I recall watching, Art Box Bunch, (1995 - 1996) and Smart Hart, (1999 - 2000).  He was awarded a BAFTA in 1978 for his beloved Plasticine characters and a Lifetime Achievement Award in 1998.  Hart also designed the iconic Blue Peter logo.  He retired in 2001.  His wife Jean Shingle who he married in 1953 passed away in 2003.  Hart's funeral was held at Christ Church, Shamley Green in Surrey.  His daughter Carolyn (who has 2 children of her own) recalled "I remember being evry small and having a bad dream late one night.  To comfort me you lifted me out of bed and took me downstairs where you fed me with Heinz tomato soup and read to me from Winnie the Pooh.  I remember begging you to collect me from school, so that the other children could see that you really were my dad, and you did".

Hart had served as an officer in the First Gurkha Rifles before his career took off in television and a lone Gurkha Soldier played bagpipes at the funeral.  The attendees were all invited to contribute a brush stroke to a canvas prepared in his memory.

*

Edward Upward, an early friend of W. H. Auden passed away on 13.  He took part in a recent (very rare) TV documentary on Auden's life.  He was the longest living British writer.  Born on 9 September 1903 in Romford he attended Repton School where he befriended Isherwood.  Isherwood introduced him to Auden in a restaurant in Soho in 1927 although they had corresponded before and Auden had sent him a number of his poems the previous year when Upward had been teaching in Cornwall.  Around this time they also visited France when Auden went off with a boy he bumped into on the train.  He bought the boy home who had a revolver with him and threatened to kill himself.  Auden had to give him 'a badly-neeeded shaking up'.[1]

Once Auden put on a false beard when he came to Scarborough to meet Upward in 1931.  For some reason his cab to the station was late and Auden had to go to the toilet to take off his beard.  Another time Upward was walking along the drive to meet Auden when he heard a deep sound coming out of the air saying "Mr Upward, Mr Upward".  It was Auden up in a tree sounding like "an accusing Jehovah".[2]

Upward graduated from Corpus Christi College, Cambridge in the '20s and joined the Communist Party in the '30s which he left in 1948 along with his wife Hilda Percival (believing its policies were no longer revolutionary) though he remained committed to Socialist causes throughout his long life.  Upward married in 1936 and had one son and a daughter (who pre-deceased him in 1995).  Upward was a novelist and short story writer and was awarded the Benson Medal in 2005 by the Royal Society of Literature.  Some of his early prose had been an influence on Auden's poetry of that period.

Although they had not met since the 1930s, Upward was of the mindset that:
He seemed to have deliberately chosen not to become the truly great poet that I was sure he would have become.  I had never doubted that he would have a permanent place among the English poets, but I had come to think - and I still think - that it will not be as high a place as it could have been. 
           Edward Upward.  'Remembering the earlier Auden', Adam International Review, 1973 - 1974.  22.
It seems that Auden and Upward parted ways after Auden was angered at his repudiating Isherwood for turning to religion.  Nevertheless, Edward Mendelson in Later Auden surmises that Auden had spotted a theological point in Upward's appraisal of Forster's literary technique.  Upward said that Forster's technique was "based on the tea-table: instead of trying to screw all his scenes up to the highest possible pitch, he tones them down until they sound like mother's-meeting gossip."[3]

Auden explained in his essay on Joyce:
The Pagan thought that the Good Life was relatively easy for the nobly-born and impossible to the low-born; the Christian, on the other hand, thought that, to human vision at least, the Good Life was pretty difficult for all, but impossible to none.  The effect of this on the subject matter of art was enormous, instead of the artist being confined to the over-life-size, the melodramatic character and situation, any character or situation was interesting that could show spiritual growth or decay; what mattered was the intensity of effort with relation to the capacity of a given character to make it: Christianity introduced the tea-table to literature.[4]
[1] Isherwood, Christopher.  Lions & Shadows.  (1935).
[2] Upward, Edward.  'Remembering the early Auden', Adam International Review, 1973 - 1974.  19.
[3] Isherwood. Ibid.
[4] Auden, W. H.  'James Joyce & Richard Wagner', Common Sense, March 1941.  The Complete Works of W. H.                          Auden: Prose 1939 - 1948.  Edited by Edward Mendelson.  117.

Friday, 5 December 2008

The Borders: Nunhead Cemetery Open Day, Canterbury, Betjeman Birthday Party & Poetry International

There’s a creeping new orthodoxy in Modern Society that’s sometimes called Positive Thinking. At its worst, this habit of optimism allows us to bury our heads in the sand, deny the ubiquity of pain in ourselves and others, and to immure ourselves in a state of heartlessness to ensure our emotional survival. The Buddha would have little time for this.
  Karen Armstrong. Buddha. (2000).
I recently visited Holy Trinity, Sloane Square: a splendid and fascinating church about which Betjeman had written extensively and campaigned for.  There is a sculpture of the Trinitarian Madonna here.  Not sure if this is still the headquarters of a charity for penniless artists.  Most likely not since all such institutions saw their end under the recent Labour government in the space of a decade.


I attended the Nunhead Cemetery Open Day. I have been to Nunhead before but never to the Open Day. It was quite an experience. It was a rainy day although thankfully the rain was not too heavy. I took my brother’s giant black brolly just in case; I like to carry it around because I can also treat it as a sort of walking stick. I bought a carrot cake (as I always do) and I think a sandwich to eat later. There were all sorts of wonderful stalls. I bought a catalogue of the catacomb burials – Nunhead probably has the smallest catacombs of the Magnificent Seven, the size, literally, of a large room. There are not that many burials there under the chapel. On the left, as one enters, are the tools of death: carts, chisels, tombstones etc. Photography is allowed and it does feel a bit uneasy when there are constant flashes going off before and behind one. Before the Society of Friends was formed the catacombs had been severely vandalized and the floor was littered with human remains and coffin timber so a lot of coffins have just been put back in place as best they could be. When the Necropolis Company took charge to clear and preserve what remained of the crypt, only four coffins were left intact. In a corner 32 sacks of water-damaged and leather-bound burial registers were found. I joined the Society of Friends. Their tours and books are fascinating. The view across London from Nunhead Hill is really something magnificent and unique, St. Paul's still reigns supreme but:
St. Paul's is now by giant monsters dwarfed
The Dunces find themselves Canary Wharfed
Onerously zizzy, busy, bold, and blind
Crowning the scene once and now hard to find

In Canterbury I saw the King’s Gallery, subsidence has led to the front of the building leaning over at an incredible angle - It is known to the locals as the Crooked Door Shop.



The Choristers were practicing in the cathedral and most of it was closed off to the public so I decided in favour of my favourite fish and chips for lunch instead which I ate in the garden of the grand entrance to the King’s School. There are two statues here of King Æthelbert and his queen St Bertha.
 
Æthelbert, king of Kent is listed by Bede as the third most dominant ruler of his time of the Anglo-Saxon kingdoms (of the late 500s). He succeeded his father Eormenic as king of Kent in about 560. He was the first English king to issue a law code. Kent enjoyed healthy trade with France giving Æthelbert access to luxuries leading to marriage with the Frankish princess Bertha who played a vital role in the king’s conversion to Christianity becoming the first Anglo-Saxon monarch to be baptized. The ceremony was performed by St Augustine whose papal mission from Rome he had sanctioned. Æthelbert liked doing things the Roman way and saw himself as a bit of a Roman emperor. He was influential enough to preach to Essex and east Anglia - He lost part of that influence when he took a Pagan princess as a second wife. His reign established a powerful link between church and state. I thought his statue looked a bit like Stalin.


St Bertha, queen of Kent (565 –612) reigned queen from 580.  She was the daughter of the Parisian king Charibert.  As a Christian she had her own chapel at St Martin’s, Canterbury and Liurdhard, her very own French bishop. 

Augustine’s mission landed on Thanet off the Kentish coast on 26 May 597 with Queen Bertha’s convoy.  From then on Canterbury became the center of the Christian church in England.[1]  I made my way to the nearby St Augustine’s Abbey.  The abbey is one of those Great Good Places one could spend one’s lifetime in and be happy. There is a museum and in the abbey and lots of tombs dotted all over the place.  There are timeless trees and there are tree-enclosed steps leading to the present.  In the museum there is a painting of the excavation of John Dygon’s tomb in 1901 who became abbot in 1496 (died 10 May 1510) from whose grave various goods were recovered.

 

There are the remains of a Roman window and ruined cloisters where there once would have been a splendorous chapel.  There are ruined pillars from a Norman Monk’s Choir.  There is the tomb of Theodore of Tarsus the seventh archbishop of Canterbury. There is the very simple and humble grave of St Augustine the first archbishop.  He is also known as Augustine-the-Less to distinguish him from his illustrious namesake Augustine of Hippo.  He was chosen by Pope Gregory the Great to be sent to England from Rome to preach.  Within a year he had converted thousands by first converting the king.

The foundations of the cathedral were laid in 601 on the site of an older Roman church and consecrated by Vergilius the Archbishop of Arles.  He laid the foundations of the monastery of St Peter & Paul (the church was itself closed today).  He died on 26 May 604 or 609 (according to some sources).



The chapel of St Thomas the Apostle is by the south side of the crypt which is also an amazing time-defying place in itself.  A cupboard recess, a corbel bracket that once would have displayed a statue and floor tiles from the thirteenth century still survive.


In the crypt there was a very strange and deathly-looking spider with red legs, and a distinct curious smell of rotting hides.[2]  


Finally there are the tombs of four Saxon kings – Eadbald (who built the oratory), Lothair, Mulus and Withred with their wives, children and a long list of grandchildren. 


 
At the annual Betjeman Birthday Party at St John’s,Waterloo, a series of his poems with excerpts from his writings and letters were recited.  I met Bevis once again who, as always, was delightful company.  He had composed a poem for the occasion which he gave me a copy of.  I met some of the other Betjeman Society members too.  John Heald asked me if I was the one who had written a book about Betjeman and that he wanted to read it.  

And so to the Royal Festival Hall – That grand place of happenings.  Up to the Poetry Library for the 2008 Poetry International.  I picked up two salmon and egg sandwiches at Waterloo and returned some books to the Poetry Library.


[1] Narrated Zainab bint Jahsh: The Prophet once woke up and came to me in a state of fear with a flushed face and said 'Glorified be Allah: What great treasures have been sent down, and what great afflictions have been sent down! There is no God but Allah. Woe unto the Arabs from a great danger that has approached.  An opening has been bored into the dam of Gog and Magog like this' making a circle with his thumb and fingers (Sufyan and Wuhayb the sub-narrator illustrated this by forming the number 90 or 100 with his fingers). Zainab bint Jahsh said 'I said 'O Allah's Apostle! Shall we be destroyed even though there are pious persons among us?' He said 'Yes, when the evil increases.'

                       (Muhammad bin Ismael al-Bukhari.  Sahih Bukhari).
[2] The Woodlouse Spider (Dysdera Crocata).  A common spider from the southern regions of England and Scotland.  Its diet consists mainly of woodlice.  As such it is one of the few spiders with fangs strong enough to pierce through the hard outer shell of woodlice.